My Japanese tutors

Ishiguro, Fukuyama, Kawasaki and Murakami. I read Ishiguro in bed, watched Fukuyama on Charlie Rose, watch Kawasaki interview on his latest book Enchantment and dream on with characters in Murukami’s novels.

Multi-media tutors. They might look Asian, but speak and write perfect English. Best of both worlds. Like Singapore or Hongkong.

Ishiguro penned beautiful prose and plot, that even Amazon’s founder must admit, the Remains of the Day was one of his favorites. In Never Let Me Go, the author portrays a love triangle out of the most unlikely of circumstances (among the donors of organs, our sci-fi characters). The mood and textures were so alluring. These supposedly “sub-humans” ‘ were made available as spare parts. “We let you experiment with arts to prove you had souls at all”

(and if they could demonstrate that they were in love, they might get a deferral – like college graduates who got their student loan deferred).

On to Fukuyama. who banked on the End of History (or marking) on the creation of Democratic Institutions e.g. those of the United States of America.

(a wiki check showed his family was in State College, PA “We Are”).

He answered Charlie Rose succinctly, and never missed a beat (about Arab Spring etc..).

Quite a professor, deserving his Standford upgrade.

Then on to the Enchanter. The smile in the eyes says it all.

He kept mentioning Charles Branson, of Virgin group, who stooped down and shined his shoes to win him over (to Virgin frequent flyer). To Guy, one needs to live as if there would always be a tomorrow (in contrast to what Fukuyama commented about America ” who has partied as if there were no tomorrow for the past thirty years”).

Reciprocity rules the universe. So is Karma. We saw that first-hand last Sunday with Bin Laden.

Murukami’s world is dreamy, with male characters who struggle with his own sexual and social identity (Murukami himself is a long-distance runner and writer. I wonder if his next novel would be about the Boston Marathon tragedy, as he once worked on the Tokyo’s rail cultish subject).

Murukami blends romance, cultism and eschatology in one fell swoop in 1Q84, his blended best.

By mentioning these accomplished authors, I am hoping the Asian gene pool rub off on the  second third generation of Vietnamese American. And I hope to live to watch one of my own on Charlie Rose, commanding public attention and admiration. It doesn’t matter where you came from and how humble (or horrible) the circumstances surrounding your beginning (in America). The only thing that matters is where you end up, in this case, undeniable success of my Japanese tutors.


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